In
Toni Morrison’s Beloved, inversions
of roles or stories appear which add to better understanding of a character.
This inversion casts Beloved as a resurrected being to support her role as
Sethe’s lost daughter. It occurs in the discussion between Stamp Paid, a man who
helps escaped slaves reach freedom, and Ella, an escaped slave Paid conveyed
across the river. When the two discuss the unusual woman Beloved, Paid remarks,
“Your mind is loaded with spirits. Everywhere you look you see one,” to which
Ella replies, “‘You know as well as I that people who die bad don’t stay in the
ground.’ He couldn’t deny it. Jesus Christ Himself didn’t” (221).
Ella makes the bold claim that
people who die in awful methods “don’t stay in the ground.” In the immediate
context, Ella refers to Beloved’s (the baby’s) death, assumed by Sethe’s hands.
But in her statement, Ella uses the present tense, particularly with the verb
“die,” which reinforces the notion that those troubled beings still haunt the
Earth and have never left. Also, Ella fails to make the distinction between the
body and their spirit, unlike Stamp in his statement. This ambiguous
interpretation of the word “they,” (Ella’s reference to the deceased) supports
the thought that the deceased have tangible impacts upon reality, rather than
only a presence. This inversion refers to and relies upon the figure of “Jesus
Christ Himself.” Morrison’s reference to Jesus conjures connotations to all
that is holy, especially His atoning sacrifice. Yet the reference’s proximity
to Ella’s aforementioned statement about the dead links His death to Beloved’s,
and by extension His glorious resurrection to her mysterious one. Morrison
inverts the divine purpose of Christ’s death by relating it to the awful
circumstances of Beloved’s murder. This relationship may connect Beloved to
Christ. Through her portrayal of Beloved, Morrison uses this inversion of Christ’s
death and Beloved’s death to offer evidence as to Beloved’s true identity.
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