In
Beloved, when Sethe is reunited with
her children after successfully escaping slavery and arriving at 124, Toni
Morrison describes the scene with surprising and unconventional diction, emphasizing
the powerful, emotional nature of the moment. First, when the children are
brought to her bed, “Sethe lay in bed under, around, over, among, but
especially with them all” (110). With the exception of “with,” these
prepositions would not typically be used to describe such a scene. By
incorporating these words, Morrison draws attention to the importance of this
moment and vividly depicts the love Sethe has for her children. After their
initial reunion, “Buglar and Howard played with her ugly feet” (110). The first
few words of this clause sound cheerful, evoking images of children playing, so
the harsher word “ugly” is somewhat jarring. This choice of words vividly
conveys the scene, helping to reveal its unusual nature. By emphasizing this
particular detail, Morrison again strengthens the bond between Sethe and her
children, because they all seem happy, despite her “ugly feet.” Morrison uses
this type of unusual and even jarring language in Beloved to draw attention to certain particularly significant
moments and to further emphasize certain parts of the story such as, in this
case, Sethe’s powerful love for her children.
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