After Sethe realizes Beloved is
actually her diseased daughter, she finds solace in the fact that Beloved loves
her with the knowledge of her past. With this peace she also comes to appreciate
Baby Suggs’s practice of focusing on and admiring colors. In general, those who
know Baby Suggs glorify her, as they find it difficult to comprehend her desirable
psyche following the devastation of slavery. But when Sethe finally reaches a comfortable
enough position in her life, she says to herself, “now I know why Baby Suggs pondered color her
last years” (237). This point is reached only when her haunting memories can be
more easily controlled with the assurance of Beloved’s understandability of her
past. Sethe also feels, with color “she never had time to see, let alone enjoy
it before” (237). This statement is important because it plays on the fact that
slaves had little ownership or even control over their own bodies; therefore,
she never got to experience this basic pleasure. This inability to see colors
during slavery can also be interpreted to hint at the fact that in slavery,
blacks were dehumanized to the extent of being colorblind as a majority of
animals are. Sethe then describes how for Baby Suggs it “took her a long time
to finish with blue, then yellow, then green” (237). The use of polysyndeton
expresses a slow-moving progression from color to color and reflects the simplified
and leisurely life she had lived in this state; one that rivals the complicated
and emotional nature of Sethe’s. One notable detail here is the choice of
colors and their order, as blue added with yellow always mixes to form green. What
this choice could reveal about her progression is that her past, the blue and
yellow, cannot completely be forgotten as they form her future, the yellow.
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