In Beloved, Toni Morrison
explores the complicated relationships between mothers and children. The use of
flashback and perspective comparison reveals how Sethe’s brief and broken bond
with her mother translated to the distance in her relationship with Denver and to
some extent, the girl Beloved. Sethe did not have a strong, impressionable bond
with her mother, remembering/identifiying her not by her face, but by a brand
upon her breast. However, in a flashback, Sethe remembers a woman named Nan telling her as a small child that her mother “threw them all away but [her]”
(74). The word “them” refers to the other children Sethe’s mother bore, sired
by white men who raped her. By describing Sethe’s mother as “thr[owing] them
all away,” Morrison dehumanizes the other children, almost as objects of little
importance, like trash. Simultaneously, this charactarization shows that Sethe
was the only child her mother loved like an actual child, the only one not forsaken. Sethe describes her
reaction to the story as a child as “unimpressed” (74), but goes on to say that
“as grown-up woman Sethe, she was angry, but not certain at what” (74). The
word “unimpressed” shows that as a child, Sethe probably could not understand the
nuance of the tale. As an adult, however, Sethe describes her feelings as
“angry,” possibly because as an adult with children of her own, she now mentally
understands depth of love in her mother’s actions, but emotionally cannot reconcile
the woman whose face she barely knew with a woman who would save her above
countless other misborn children. By comparing these two viewpoints—child and
adult—Morrison reveals how Sethe’s feelings have changed as she has aged to
have children of her own. Finally, as Sethe looks towards Denver and Beloved, she
says that “they seemed little and far away” (74). Sethe only realizes this percieved—as
explefied in the word “seemed”—distance between her and her daughter after remembering
her own relationship with her mother, and perhaps seeing the similarites
between the two. In this scene, Toni Morrison appears to imply that part of the
distance between Sethe and Denver as mother and daugher stems from Sethe’s complicated
relationship with her mother: a woman she barely knew.
Adding to your comments about the distance between Sethe and her mother, immediately after Sethe claims she is angry as a now adult woman, she wishes for Baby Suggs instead of her mother, despite the fact Sethe has been so far preoccupied with thoughts of her mother. It seems to suggest that Baby Suggs, even though Sethe only knew her for 28 days, becomes more of a mother figure than Sethe's actual mother. Because Baby Suggs is suggested to be the major mother figure in Sethe's life, reveals that Sethe may have only received adoration at an older age, rather than when young--this fact could then translate into the way Sethe treats her children reflects this lack of affection when young.
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